Heinke Aussenegg Heinke Aussenegg
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composer  artist  engineer
Oktober 2015
Last year, in the summer 2014, my old friend Wolfgang Funk asked me to work with him on the pre-production for the hollywood movie “rock the kasbah”. Wolfgang and his company Marrakech Prod where involved in the shooting of the fim in Marocco. Wolfgang asked me to help him with some of the sound tracks for the pre- production and I really appreciated it. I did some keyboard tracks and some arrangemets, backing vocals, audio recordings and some mixing for the playbacks they used for the shootings. It was a interesting, somtimes frantic, but always exciting piece of work. Thank’s to all who where involved! Now the film starts in the US! Must See!
KINOSTART!
432 Hz Project The concert pitch (standard A) is and was the reference tone for instruments in an orchestra or other instruments, which are used for making music together. Today’s standard is 440Hz (up to 444Hz in modern orchestras). This standard was set in 1939 to make it easier for musicians from all over the world to interact and work together in music productions. In previous centuries many different concert pitches were used and there were also diverging opinions about the impact and effect music can have with a different standard A. The fact is that e.g. string instruments have different tensions depending on the standard A. This changes the colour and vibration of the music which leads to different sounds and can be wanted by the artist or not (used as an artistic element: more or less “aggressive” overtones, clearer and brighter sound etc.). In those days this was well known by the composers and band leaders. The so called “Deutschmeister-tuning” (452Hz-461Hz) was used for Marching-Band-Music and Military-Music (to make the listener more aggressive and willing to fight?). The diapason of many old masters often was around 432Hz and 435Hz and there are some reasons for using this concert pitch even today. An interesting fact is, that some old cultures also (“by intuition”) used deeper concert pitches, deeper than 440Hz. Does music push us to the limits, if we use higher pitch-tones? (Like the “Deutschmeister” used for their war-music.) Do we alienate from our natural environment in the same amount we increase beat and pitch? Are we overstressing ourselves like we overstress our instruments? Thoughts to be considered. Those who observe nature and its creative rhythms, its mysterious oscillation and resonance principles, can come to the conclusion that there must be an effect by using either a high or a lower concert pitch as the fundament of our music. And if so…then we’d rather use it with consciousness. A great researcher in human history, Pythagoras the Greek, was into the research of tones and vibration as a mathematical equivalent and its fundamental laws of intervals and ratios. He left us not only formulas but also his tuning system the Pythagorean Tuning Without going into great detail tuning is another essential part in music and it has developed through the centuries. There was a major change caused by the upcoming keyboard instruments. They had to be fix-tuned which made it impossible to react on tuning issues by the instrumentalist while playing. There was no way to tune a keyboard instrument in “just intonation” so that you could transpose music into different modes (keys). A compromise was found (after many other tries) by the so called Well-Tempered Clavier tuning (J. S. Bach) which allowed to modulate through different keys but at cost of just intonation, euphony and harmony. It made music develop in many ways but the loss of harmony and euphony is not to undervalue. It means two (ore more) tones are reacting and interfering more or less harmonically. In different tuning systems there are intervals which are “just”. In the Pythagorean Tuning it is the 5 th interval (except the Wolf Fifth). Pythagoras developed his tuning on mathematical principles and there are many interesting details but as I’ve promised I will not go into detail too much. It only remains for me to add: Standard A 432Hz means in Pythagorean Tuning a C of 512Hz which correlates the frequency of a diapason for otologist s. Several octaves downwards you end up with 8Hz which corresponds approximate ly the Schuhmann Frequency and the borderline between waking consciousness and dream. For that reason I’ve used the tuning and the standard A 432Hz to create harmonic connections. The pieces in their order of appearance are created to guide into a deeper listening of tones thus leading to a healing and relaxing bodily state . The CD is primarily intended for therapists as assistance to massage, meditation, breathing exercises, yoga…etc. Should you fall asleep while listening…well done!
Sept. 2017
Eine neue CD ist im Anmarsch voller erstaunlicher Klangtiefe und neuer Sounddimensionen!
Jänn. 2018
I am proud to annaounce my cooperation with PRANAHAUS!
Since August of 2017, I was in contact with PRANAHAUS to get my products into their distribution network. Fortunately they liked it and so it will be in their upcomming catalouge and also promoted in their online store. The team at PRANAHAUS was terribly nice and helped me to get everything done in time. So now you can get the CD at their shop too!
The CD „Pythagorean Tunes is available at the online-store of PRANAHAUS
"Le silence des papillons" A film by Hamid Basket. The title of Barakka Transfer "Intro Dhakhla" was used in the closing scene. Composers: Wolfgang Funk, Lopa Kothari and Heinke Aussenegg
With great pleasure I may announce the company SilenzioAG is the world wide publishing house for my 2 CDs "Pythagorean Tunes" and "DEEP Meditation". Both CDs are already available in the online shop! Soon also in various shops!
Recent
Sept. 2018
432hz Music Heinke Aussenegg
Recent
coming soon!
Eine neue CD ist im Anmarsch voller erstaunlicher Klangtiefe und neuer Sounddimensionen!
Last year, in the summer 2014, my old friend Wolfgang Funk asked me to work with him on the pre-production for the hollywood movie “rock the kasbah”. Wolfgang and his company Marrakech Prod where involved in the shooting of the fim in Marocco. Wolfgang asked me to help him with some of the sound tracks for the pre-production and I really appreciated it. I did some keyboard tracks and some arrangemets, backing vocals, audio recordings and some mixing for the playbacks they used for the shootings. It was a interesting, somtimes frantic, but always exciting piece of work. Thank’s to all who where involved! Now the film starts in the US! Must See!
432 Hz Project The concert pitch (standard A) is and was the reference tone for instruments in an orchestra or other instruments, which are used for making music together. Today’s standard is 440Hz (up to 444Hz in modern orchestras). This standard was set in 1939 to make it easier for musicians from all over the world to interact and work together in music productions. In previous centuries many different concert pitches were used and there were also diverging opinions about the impact and effect music can have with a different standard A. The fact is that e.g. string instruments have different tensions depending on the standard A. This changes the colour and vibration of the music which leads to different sounds and can be wanted by the artist or not (used as an artistic element: more or less “aggressive” overtones, clearer and brighter sound etc.). In those days this was well known by the composers and band leaders. The so called “Deutschmeister-tuning” (452Hz-461Hz) was used for Marching-Band-Music and Military-Music (to make the listener more aggressive and willing to fight?). The diapason of many old masters often was around 432Hz and 435Hz and there are some reasons for using this concert pitch even today. An interesting fact is, that some old cultures also (“by intuition”) used deeper concert pitches, deeper than 440Hz. Does music push us to the limits, if we use higher pitch- tones? (Like the “Deutschmeister” used for their war- music.) Do we alienate from our natural environment in the same amount we increase beat and pitch? Are we overstressing ourselves like we overstress our instruments? Thoughts to be considered. Those who observe nature and its creative rhythms, its mysterious oscillation and resonance principles, can come to the conclusion that there must be an effect by using either a high or a lower concert pitch as the fundament of our music. And if so…then we’d rather use it with consciousness. A great researcher in human history, Pythagoras the Greek, was into the research of tones and vibration as a mathematical equivalent and its fundamental laws of intervals and ratios. He left us not only formulas but also his tuning system the Pythagorean Tuning Without going into great detail tuning is another essential part in music and it has developed through the centuries. There was a major change caused by the upcoming keyboard instruments. They had to be fix- tuned which made it impossible to react on tuning issues by the instrumentalist while playing. There was no way to tune a keyboard instrument in “just intonation” so that you could transpose music into different modes (keys). A compromise was found (after many other tries) by the so called Well-Tempered Clavier tuning (J. S. Bach) which allowed to modulate through different keys but at cost of just intonation, euphony and harmony. It made music develop in many ways but the loss of harmony and euphony is not to undervalue. It means two (ore more) tones are reacting and interfering more or less harmonically. In different tuning systems there are intervals which are “just”. In the Pythagorean Tuning it is the 5 th interval (except the Wolf Fifth). Pythagoras developed his tuning on mathematical principles and there are many interesting details but as I’ve promised I will not go into detail too much. It only remains for me to add: Standard A 432Hz means in Pythagorean Tuning a C of 512Hz which correlates the frequency of a diapason for otologist s. Several octaves downwards you end up with 8Hz which corresponds approximate ly the Schuhmann Frequency and the borderline between waking consciousness and dream. For that reason I’ve used the tuning and the standard A 432Hz to create harmonic connections. The pieces in their order of appearance are created to guide into a deeper listening of tones thus leading to a healing and relaxing bodily state . The CD is primarily intended for therapists as assistance to massage, meditation, breathing exercises, yoga…etc. Should you fall asleep while listening…well done!
I am proud to annaounce my cooperation with PRANAHAUS!
The CD „Pythagorean Tunes is available at the online-store of PRANAHAUS
Since August of 2017, I was in contact with PRANAHAUS to get my products into their d i s t r i b u t i o n n e t w o r k . Fortunately they liked it and so it will be in their u p c o m m i n g catalouge and also promoted in their online store. The team at PRANAHAUS was terribly nice and helped me to get everything done in time. So now you can get the CD at their shop too!
Jänn. 2018
Oktober 2015
With great pleasure I may announce the company SilenzioAG is the world wide publishing house for my 2 CDs "Pythagorean Tunes" and "DEEP Meditation". Both CDs are already available in the online shop! Soon also in various shops!
"Le silence des papillons" A film by Hamid Basket. The title of Barakka Transfer "Intro Dhakhla" was used in the closing scene. Composers: Wolfgang Funk, Lopa Kothari and Heinke Aussenegg
Sept. 2018
Heinke Aussenegg
NEWS