news
Oktober 2015
Last year, in the summer 2014, my old friend Wolfgang
Funk asked me to work with him on the pre-production
for the hollywood movie “rock the kasbah”. Wolfgang and
his company Marrakech Prod where involved in the
shooting of the fim in Marocco. Wolfgang asked me to
help him with some of the sound tracks for the pre-
production and I really appreciated it. I did some
keyboard tracks and some arrangemets, backing vocals,
audio recordings and some mixing for the playbacks they
used for the shootings. It was a interesting, somtimes
frantic, but always exciting
piece of work. Thank’s to all who where involved!
Now the film starts in the US! Must See!
432 Hz Project
The
concert
pitch
(standard
A)
is
and
was
the
reference
tone
for
instruments
in
an
orchestra
or
other
instruments,
which
are
used
for
making
music
together.
Today’s
standard
is
440Hz
(up
to
444Hz
in
modern
orchestras).
This
standard
was
set
in
1939
to
make
it
easier
for
musicians
from
all
over
the
world
to
interact
and
work
together
in
music
productions.
In
previous
centuries
many
different
concert
pitches
were
used
and
there
were
also
diverging
opinions
about
the
impact
and
effect
music
can
have
with
a
different
standard
A.
The
fact
is
that
e.g.
string
instruments
have
different
tensions
depending
on
the
standard
A.
This
changes
the
colour
and
vibration
of
the
music
which
leads
to
different
sounds
and
can
be
wanted
by
the
artist
or
not
(used
as
an
artistic
element:
more
or
less
“aggressive”
overtones,
clearer
and
brighter
sound
etc.).
In
those
days
this
was
well
known
by
the
composers
and
band
leaders.
The
so
called
“Deutschmeister-tuning”
(452Hz-461Hz)
was
used
for
Marching-Band-Music
and
Military-Music
(to
make
the
listener
more
aggressive
and
willing
to fight?).
The
diapason
of
many
old
masters
often
was
around
432Hz
and
435Hz
and
there
are
some
reasons
for
using
this
concert
pitch
even
today.
An
interesting
fact
is,
that
some
old
cultures
also
(“by
intuition”)
used
deeper
concert
pitches,
deeper
than
440Hz.
Does
music
push
us
to
the
limits,
if
we
use
higher
pitch-tones?
(Like
the
“Deutschmeister”
used
for
their
war-music.)
Do
we
alienate
from
our
natural
environment
in
the
same
amount
we
increase
beat
and
pitch?
Are
we
overstressing
ourselves
like
we
overstress
our
instruments?
Thoughts
to
be
considered.
Those
who
observe
nature
and
its
creative
rhythms,
its
mysterious
oscillation
and
resonance
principles,
can
come
to
the
conclusion
that
there
must
be
an
effect
by
using
either
a
high
or
a
lower
concert
pitch
as
the
fundament
of
our
music.
And
if
so…then we’d rather use it with consciousness.
A
great
researcher
in
human
history,
Pythagoras
the
Greek,
was
into
the
research
of
tones
and
vibration
as
a
mathematical
equivalent
and
its
fundamental
laws
of
intervals
and
ratios.
He
left
us
not only formulas but also his tuning system the
Pythagorean Tuning
Without
going
into
great
detail
tuning
is
another
essential
part
in
music
and
it
has
developed
through
the
centuries.
There
was
a
major
change
caused
by
the
upcoming
keyboard
instruments.
They
had
to
be
fix-tuned
which
made
it
impossible
to
react
on
tuning
issues
by
the
instrumentalist
while
playing.
There
was
no
way
to
tune
a
keyboard
instrument
in
“just
intonation”
so
that
you
could
transpose
music
into
different
modes
(keys).
A
compromise
was
found
(after
many
other
tries)
by
the
so
called
Well-Tempered
Clavier
tuning
(J.
S.
Bach)
which
allowed
to
modulate
through
different
keys
but
at
cost
of
just
intonation,
euphony
and
harmony.
It
made
music
develop
in
many
ways
but
the
loss
of
harmony
and
euphony
is
not
to
undervalue.
It
means
two
(ore
more)
tones
are
reacting
and
interfering
more
or
less
harmonically.
In
different
tuning
systems
there
are
intervals
which
are
“just”.
In
the
Pythagorean
Tuning
it
is
the
5
th
interval
(except
the
Wolf
Fifth).
Pythagoras
developed
his
tuning
on
mathematical
principles
and
there
are
many
interesting
details
but
as
I’ve
promised
I
will
not
go
into
detail
too
much.
It
only
remains
for
me
to
add:
Standard
A
432Hz
means
in
Pythagorean
Tuning
a
C
of
512Hz
which
correlates
the
frequency
of
a
diapason
for
otologist
s.
Several
octaves
downwards
you
end
up
with
8Hz
which
corresponds
approximate
ly
the
Schuhmann
Frequency
and
the
borderline
between
waking
consciousness
and
dream.
For
that
reason
I’ve
used
the
tuning
and
the
standard
A
432Hz
to
create
harmonic
connections.
The
pieces
in
their
order
of
appearance
are
created
to
guide
into
a
deeper
listening
of
tones
thus
leading
to
a
healing
and relaxing
bodily
state
.
The
CD
is
primarily
intended
for
therapists
as
assistance
to
massage,
meditation,
breathing
exercises,
yoga…etc.
Should
you
fall
asleep
while
listening…well done!
Sept. 2017
Eine neue CD ist im Anmarsch voller
erstaunlicher Klangtiefe und neuer
Sounddimensionen!
Jänn. 2018
I am proud to annaounce my
cooperation with PRANAHAUS!
Since August of 2017, I was in
contact with PRANAHAUS to get my
products into their distribution
network. Fortunately they liked it and
so it will be in their upcomming
catalouge and also promoted in their
online store. The team at
PRANAHAUS was terribly nice and
helped me to get everything done in
time.
So now you can get the CD at their
shop too!
The CD „Pythagorean Tunes is available at
the online-store of PRANAHAUS
"Le
silence
des
papillons"
A
film
by
Hamid
Basket.
The
title
of
Barakka
Transfer "Intro Dhakhla" was used in the closing scene.
Composers: Wolfgang Funk, Lopa Kothari and Heinke Aussenegg
With great pleasure I may announce the
company SilenzioAG is the world wide publishing
house for my 2 CDs
"Pythagorean Tunes" and "DEEP Meditation".
Both CDs are already available in the online
shop! Soon also in various shops!
Recent
Sept. 2018
Recent
coming soon!
Eine neue CD ist im Anmarsch voller
erstaunlicher Klangtiefe und neuer
Sounddimensionen!
Last year, in the summer 2014, my old friend
Wolfgang Funk asked me to work with him on the
pre-production for the hollywood movie “rock the
kasbah”. Wolfgang and his company Marrakech
Prod where involved in the shooting of the fim in
Marocco. Wolfgang asked me to help him with some
of the sound tracks for the pre-production and I
really appreciated it. I did some keyboard tracks
and some arrangemets, backing vocals, audio
recordings and some mixing for the playbacks they
used for the shootings. It was a interesting,
somtimes frantic, but always exciting
piece of work. Thank’s to all who where involved!
Now the film starts in the US! Must See!
432 Hz Project
The
concert
pitch
(standard
A)
is
and
was
the
reference
tone
for
instruments
in
an
orchestra
or
other
instruments,
which
are
used
for
making
music
together.
Today’s
standard
is
440Hz
(up
to
444Hz
in
modern
orchestras).
This
standard
was
set
in
1939
to
make
it
easier
for
musicians
from
all
over
the
world
to
interact
and
work
together
in
music
productions.
In
previous
centuries
many
different
concert
pitches
were
used
and
there
were
also
diverging
opinions
about
the
impact
and
effect
music
can
have
with
a
different
standard
A.
The
fact
is
that
e.g.
string
instruments
have
different
tensions
depending
on
the
standard
A.
This
changes
the
colour
and
vibration
of
the
music
which
leads
to
different
sounds
and
can
be
wanted
by
the
artist
or
not
(used
as
an
artistic
element:
more
or
less
“aggressive”
overtones,
clearer
and
brighter
sound
etc.).
In
those
days
this
was
well
known
by
the
composers
and
band
leaders.
The
so
called
“Deutschmeister-tuning”
(452Hz-461Hz)
was
used
for
Marching-Band-Music
and
Military-Music
(to
make
the
listener more aggressive and willing to fight?).
The
diapason
of
many
old
masters
often
was
around
432Hz
and
435Hz
and
there
are
some
reasons
for
using
this
concert
pitch
even
today.
An
interesting
fact
is,
that
some
old
cultures
also
(“by
intuition”)
used
deeper
concert
pitches,
deeper
than
440Hz.
Does
music
push
us
to
the
limits,
if
we
use
higher
pitch-
tones?
(Like
the
“Deutschmeister”
used
for
their
war-
music.)
Do
we
alienate
from
our
natural
environment
in
the
same
amount
we
increase
beat
and
pitch?
Are
we
overstressing
ourselves
like
we
overstress
our
instruments?
Thoughts
to
be
considered.
Those
who
observe
nature
and
its
creative
rhythms,
its
mysterious
oscillation
and
resonance
principles,
can
come
to
the
conclusion
that
there
must
be
an
effect
by
using
either
a
high
or
a
lower
concert
pitch
as
the
fundament
of
our
music.
And
if
so…then
we’d
rather
use
it
with
consciousness.
A
great
researcher
in
human
history,
Pythagoras
the
Greek,
was
into
the
research
of
tones
and
vibration
as
a
mathematical
equivalent
and
its
fundamental
laws
of
intervals
and
ratios.
He
left
us
not
only
formulas
but
also his tuning system the
Pythagorean Tuning
Without
going
into
great
detail
tuning
is
another
essential
part
in
music
and
it
has
developed
through
the
centuries.
There
was
a
major
change
caused
by
the
upcoming
keyboard
instruments.
They
had
to
be
fix-
tuned
which
made
it
impossible
to
react
on
tuning
issues
by
the
instrumentalist
while
playing.
There
was
no
way
to
tune
a
keyboard
instrument
in
“just
intonation”
so
that
you
could
transpose
music
into
different
modes
(keys).
A
compromise
was
found
(after
many
other
tries)
by
the
so
called
Well-Tempered
Clavier
tuning
(J.
S.
Bach)
which
allowed
to
modulate
through
different
keys
but
at
cost
of
just
intonation,
euphony
and
harmony.
It
made
music
develop
in
many
ways
but
the
loss
of
harmony
and
euphony
is
not
to
undervalue.
It
means
two
(ore
more)
tones
are
reacting
and
interfering
more
or
less
harmonically.
In
different
tuning
systems
there
are
intervals
which
are
“just”.
In
the
Pythagorean
Tuning
it
is
the
5
th
interval
(except
the
Wolf
Fifth).
Pythagoras
developed
his
tuning
on
mathematical
principles
and
there
are
many
interesting
details
but
as
I’ve
promised
I
will
not
go
into
detail
too
much.
It
only
remains
for
me
to
add:
Standard
A
432Hz
means
in
Pythagorean
Tuning
a
C
of
512Hz
which
correlates
the
frequency
of
a
diapason
for
otologist
s.
Several
octaves
downwards
you
end
up
with
8Hz
which
corresponds
approximate
ly
the
Schuhmann
Frequency
and
the
borderline
between
waking
consciousness
and
dream.
For
that
reason
I’ve
used
the
tuning
and
the
standard
A
432Hz
to
create
harmonic
connections.
The
pieces
in
their
order
of
appearance
are
created
to
guide
into
a
deeper
listening
of
tones
thus
leading
to
a
healing
and
relaxing
bodily
state
.
The
CD
is
primarily
intended
for
therapists
as
assistance
to
massage,
meditation,
breathing
exercises,
yoga…etc.
Should
you
fall
asleep
while
listening…well done!
I am proud to annaounce my
cooperation with PRANAHAUS!
The CD „Pythagorean Tunes is available at
the online-store of PRANAHAUS
Since
August
of
2017,
I
was
in
contact
with
PRANAHAUS
to
get
my
products
into
their
d
i
s
t
r
i
b
u
t
i
o
n
n
e
t
w
o
r
k
.
Fortunately
they
liked
it
and
so
it
will
be
in
their
u
p
c
o
m
m
i
n
g
catalouge
and
also
promoted
in
their
online
store.
The
team
at
PRANAHAUS
was
terribly
nice
and
helped
me
to
get everything done in time.
So now you can get the CD at their shop too!
Jänn. 2018
Oktober 2015
With great pleasure I may announce the
company SilenzioAG is the world wide
publishing house for my 2 CDs
"Pythagorean Tunes" and "DEEP
Meditation". Both CDs are already
available in the online shop! Soon also in
various shops!
"Le
silence
des
papillons"
A
film
by
Hamid
Basket.
The
title
of
Barakka
Transfer
"Intro
Dhakhla" was used in the closing scene.
Composers:
Wolfgang
Funk,
Lopa
Kothari
and
Heinke Aussenegg
Sept. 2018
Heinke Aussenegg
NEWS
